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⬆ WATCH THE VIDEO HERE ⬆
The king of mainstream power-pop-rock-ballads
This episode radiates pure guitar-driven pop-rock energy.
Host Mike Van Dola sits down with K. Koster – a singer-songwriter who can talk stage names, songwriting craft, and pandemic reality checks without ever losing the grin.
First up: where does “K. Koster” even come from?
Spoiler: it’s not a German beer sausage.

From there, it’s a fast ride through the origin story: childhood guitar lessons in downtown Turku, the moment he realized no wizard can magically turn him into a guitar hero, and the pivot into singing – and writing his own songs.
You’ll hear quick live snippets that sit in that sweet spot between everyday romance and quiet optimism, plus a peek behind the curtain: Word docs with three unfinished lines, rough takes recorded through a USB audio interface, and his “partner in crime” Marco reshaping sketches into real songs.

And if your musical memory is wired for the big names, you’ll catch the wink: Bon Jovi on the childhood radar, then the songwriter lane with Neil Young and Bruce Springsteen.
The talk turns practical too – unplugged two-guitars simplicity vs full-band punch, an EP on the horizon, and gig plans waiting for COVID to finally stop gatekeeping live music.
Need a booking? Voodoo Entertainment has him on the roster – cat christenings included.

Stay to the end for the legendary bonus question (yes, David Hasselhoff enters the chat) and a unique studio live performance of “Tämän talon seinät” (“The Walls of This House.”)
Episode Transcript
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Welcome to the seventh
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Hype Corner interview
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Today we've got guitar-driven
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pop-rock music
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playing, composing and singing
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with K. Koster as our guest
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Welcome
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Thanks
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Let's start with the basics
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starting with your name.
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Names have always fascinated me, because
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they sort of reflect
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some kind of spirit gets distilled into them
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and if it doesn't, then
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over time they seem to write
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themselves into existence, in a way
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So where does your name come from
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where did it come from
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and where is it heading?
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I don't really know where it's heading
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but it's basically this kind of thing
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my real name is quite long and awkward
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so we shortened it a bit
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and cut a few corners
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And made it a little
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shorter and easier
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Who was involved in that process?
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Me.
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You yourself.
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Yes, yes.
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Concise is always good.
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There's also...
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It sounds a bit German.
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Does it refer to any German
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beer sausage or something?
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No, that's actually the first
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time I've heard
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that it would refer to a German beer sausage.
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It doesn't.
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At least it never crossed my mind.
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It's basically
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a clunky spin-off of my name.
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Okay.
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A bit of background.
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What's your background
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in music overall?
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Has playing guitar and
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opening your mouth
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to put it jokingly
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always been part of your life?
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Or how did you
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end up doing exactly this
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in this form?
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Yeah, it's been there on the side
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for many years, but this is
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the first project
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we really set out to do seriously.
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It's been three years since we got
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the first proper song in the can
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and I thought this might actually become something.
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Which song was that?
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It's a song called "Elämä kantaa".
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When that was done properly, in a way
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besides a few demos
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Have you taken guitar lessons somewhere
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or elsewhere, or are you self-taught?
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Yeah, I have, at times
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back when I was a kid.
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Actually, there's a funny anecdote here.
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I once
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went when I was in middle school and
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then about 4-5 years ago I
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thought that this music thing
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could be done properly.
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Then I was browsing online and
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the same guy happened to be running a guitar school
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in downtown Turku, the same one he ran
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back when I was 15.
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At 14-15, in guitar lessons
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at that same school.
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The school has moved and changed names
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but the guy was the same.
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Then I thought, nah, just play.
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Then I came to the conclusion
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that you can't make a guitarist out of me
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there's no wizard like that
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who could turn me into a guitarist.
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So then I decided to go to singing lessons
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and then it kind of came up
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indirectly, that I
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write these songs myself
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and then we started making them.
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Song: In the early morning hours I wake up
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to a gentle sigh, you're
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still awake
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Softly I whisper, I wonder how...
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Yeah, I've listened to your songs and
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they paint quite this kind of
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romantic picture of these
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small everyday things.
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Where did you get the idea
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to write about exactly this
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kind of topic, and is it that
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in the end
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even the little things are huge?
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Could be, yeah.
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Or actually, it's that small things
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become big, and
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you only really realize it afterwards
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that they've become big.
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In the moment, you don't realize it.
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So I don't know if I really have any
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bigger guiding line behind it
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in the background, that these
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have just come out of a few of them.
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I don't want to paint too
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poetic a picture of how these get made.
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Music-wise, what kind of
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music do you like to listen to?
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Are you a fan of any bands? And do you have
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any idols who've influenced
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this K. Koster sound?
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Honestly, let's put it like this:
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when these songs have been made
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and produced a bit more
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than just
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strummed with an acoustic guitar.
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I don't know, maybe it's more
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certain specific songs that have influenced it
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that I've heard at the right moment.
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They might be from the radio, or
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from some random Spotify playlist
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but I mean, the way I see it is that
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of course, I'm an '80s kid
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and back then, the big names were really big.
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There was Bon Jovi and
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after that came '80s metal
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but I wouldn't really connect that to this.
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Yeah.
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And I've always kind of liked
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singer-songwriters.
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Right.
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Those old guys from the big wide world
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Neil Youngs and Bruce Springsteens.
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That's what yours has been like so far, at least.
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I don't know if it'll grow into something bigger later on
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but up to now it's
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been that kind of vibe, to me.
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And of course there are the Finnish ones, because
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Finnish is the language I write in.
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Song: You touch so softly,
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that I hardly feel it.
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Still, this night is eternal, sometimes your
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gaze, like a bullet, pierces the heart.
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So, you've put out online
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a few songs, with music videos and
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that sort of thing, so...
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But your whole repertoire
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is probably bigger?
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Do you have desk drawers at home
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full of A4 pages and notebook sheets?
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How do you generally save
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your ideas?
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Well, um...
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Just basic stuff...
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I've got lots of Word docs
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with, like, three sentences in them.
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Of course, most of them never become
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anything at all; they just sit there
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until they disappear.
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I usually record them when they're
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at that stage, I strum the guitar and sing.
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On your phone or what?
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On my computer I have a USB audio interface
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through that.
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Then I take them to my partner in crime
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Marco, who then
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probably redoes the chords
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and everything else
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but anyway, you know
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That's how it goes.
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Do you have more finished songs than
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the ones you've released?
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I probably do, at the moment...
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Of course, it's finished when it's finished.
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Even if you have a melody and chords,
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to me the song still isn't finished yet.
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But as written songs
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probably somewhere between 20 and 30.
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And if you go do a gig,
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you probably play those songs there?
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Yeah.
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And now we kind of, now
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we're sort of putting together an EP.
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Yeah.
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So there are...
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well, there are a few
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that have been released, and then
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three that haven't been released.
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Song: Little shards of happiness that
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are picked up from life's paths
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These small moments
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help, one by one...
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So you started out with the "man and a guitar"
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or "man and a couple of guitars" approach,
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depending how you want to put it, for this thing, and...
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Now on your latest single
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there were drums already, and other
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instruments too, bass and so on...
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Will we see K. Koster at some point
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with a full band?
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Yeah, that's the
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next step in the plan.
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Probably sometime... next winter-ish.
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Actually, the ones that
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are on YouTube...
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there are only a few,
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where it's just guitar and vocals.
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I definitely see this as
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band music, though.
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On the other hand
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you can do some kind of unplugged
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show there with a couple of guitars
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and the same songs probably work there too.
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Yeah, pretty much.
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Yeah, because they're still
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pretty basic
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pop stuff, so you can...
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The idea, of course, was to start
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with the two men, two guitars setup
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But then this plague messed up that plan.
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Right.
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About the genre...
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what genre would you put
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your songs in?
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Are they pop, rock, schlager,
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folk, or what are they, really?
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Or some combination of those.
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Yeah, yeah.
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It kind of feels like one song is
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different from the next, but of course the fact that
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they're recorded and produced
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with a total rock guy, it
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tends to lean more rock.
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Someone asked me once and I said
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it's like Juha Tapio's songs,
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but the energy is like Popeda.
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Okay.
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I don't know whether that mess will
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turn into anything at all.
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That kind of shines a light on it.
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Yeah.
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Of course I'm supposed to say that
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it doesn't fit anywhere,
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that it's completely its own thing.
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Which do you prefer?
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If this is a question
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that's worth asking.
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What are the pros and cons
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of two guitars and vocals
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compared to a full band
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what's good and what's bad about each?
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Of course, it's kind of a pretty different thing.
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Two men and two guitars is
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of course a bit of a smaller
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setup, it's logistically easier.
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Fewer mouths to feed.
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Yeah, fewer mouths to feed.
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and then of course...
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but then a proper
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band has its upsides too.
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Because I see this as
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easy to adapt
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to, say, festival conditions
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but that really
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requires the band.
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We already touched on it a bit, that
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what's in your near future,
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if this modern-day leprosy, or among friends
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COVID, eases up, then
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you already mentioned an EP...
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Is that the main goal in the near future?
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It's in a pretty good place now.
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There isn't, in the end,
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that much recording missing, really.
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Production always takes its own time.
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So during this winter, the thing is that
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there should be something more tangible,
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something you can sell on to someone.
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And then the band, kind of...
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putting something like that together, so that
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we'd kind of...
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The aim is kind of
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next summer, a year from now.
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So it would sort of be ready then.
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So that's this next, maybe, year...
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We all hope that at that point
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you can already get out and play gigs, and
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and people can finally get out of their...
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Yeah, that's the...
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home offices.
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That's of course a whole different thing.
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England just removed
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the restrictions.
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Yeah, it's nice to see.
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On the other hand, for the rest of us, in my
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opinion it's a benefit... we get to see how it goes.
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Yeah, a little experiment over there.
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Yeah, a lab rat experiment.
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You're also on the roster of this Turku-based
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Voodoo Entertainment,
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so you can be booked for all kinds of
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events and cat christenings
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to taste, so
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could you give a little sales pitch
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for why exactly you
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should be booked for that party?
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Yeah, sure, but you should
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book me for that party
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because right now
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the music is good, and now is the moment
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when you can still get me cheap...
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In a couple of years you'll pay!
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Alright, now we've nicely
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reached the end stage of the interview
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and here
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– despite the audience's requests –
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we again have this
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legendary bonus question.
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And here it comes.
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Let's imagine that we are now
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in East Germany, before the Wall fell,
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in good old DDR,
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and you had to do
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a charity gig, and you had to
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choose a hat, would it be
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A. A fur hat
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B. An army cap, or
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C. A nightcap like the Sandman wears, or
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D. Something else
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Well, you've got a cap on right now.
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Right now I've got a cap on.
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A fur hat is too obvious.
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And actually, that army cap...
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so maybe that's where the Sandman thing comes from.
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And if I could also get that coat,
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the one David Hasselhoff had
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00:16:21,792 --> 00:16:23,202
on top of the Berlin Wall when he sang
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when the Wall came down...
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All those little lights on it...
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Just some little ideas
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for the next music video!
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Yes!
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Alright, the interview is over
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and thanks for the interview, K. Koster.
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You're welcome, and thank you.
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To close
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we'll show the one we played here
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a unique studio live version of the song...
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"The Walls of This House"
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And now, K. Koster and "The Walls of This House".
